Learn to make a useful box that's ideal for storing sewing supplies, jewelry, or small tools. The box has a hinged lid and can be opened fully. The interior holds a removable top tray; the bottom compartment is open and can store larger items.

The instructor has developed his own way of making boxes, combining the industrial and artisanal methods of boxmaking. Students will learn basic boxmaking concepts, as well as an understanding of paper and board grain and its importance.

Pietro is known for his marbling, and will provide marbled fabric to use in covering the boxes. Students will learn how to make their own book cloth out of regular fabric.

All skill levels are welcome.

Building on the skills learned in Introduction to Western Paper Marbling, this workshop will take students through the techniques needed to marble on fabric.

Students will begin the day by advancing upon their marbling skills with the introduction of marbling on fabric. With the instructor's guidance, they will work on new patterns with an eye for nuance. The main focus will be on marbling fabric to create book cloth, and techniques for other textile uses will also be discussed.

At the end of the day, the instructor will demonstrate how to prepare dry pieces of marbled cloth for use in bookbinding. Students will leave with their own stack of 15 marbled fabric pieces.

In this introductory class, students will gain a basic understanding of the history, techniques, tools and styles of European marbling.

Students will get hands-on experience of all aspects of Western marbling techniques from paper priming and preparatory mixing of water medium and paints, to the creation of classical patterns. Specific attention will be given to learning how to obtain particular designs using a diverse array of rakes and combs. Students will have ample time for experimentation with guidance from the instructor and will leave with a sampling of papers they've marbled themselves.  

In the world of paper marbling, metallics are rare due to the heavier weight of these types of pigments. Since marbling pigments must float perfectly on the surface of the water bath, metallics prove challenging; but when handled correctly, the shining hues of copper, silver, bronze, gold and pearl will transform a sheet of paper into an iridescent wonder.

The use of rakes and combs is also tricky, requiring carefully manipulated movements of these heavy paints in order to achieve the desired effects without sinking or breakage.

In this workshop, students will learn to handle metallic paints and be introduced to new and more intricate patterns. They will also explore the exciting territory of “Over-marbling”, where one pattern is superimposed upon another to create a magnificent and complex play of pattern. Students will receive instruction during the morning half of class, then spend the afternoon dedicated to personal practice with hands-on guidance from the instructor.

In this introductory class, students will gain a basic understanding of the history, techniques, tools and styles of European marbling.

Students will get hands-on experience of all aspects of Western marbling techniques from paper priming and preparatory mixing of water medium and paints, to the creation of classical patterns. Specific attention will be given to learning how to obtain particular designs using a diverse array of rakes and combs. Students will have ample time for experimentation with guidance from the instructor and will leave with a sampling of papers they've marbled themselves.  

In this introductory class, student will gain a basic understanding of history, techniques, tools and styles of Western marbling. Students will get hands on experience of all aspects of marbling from paper priming and preparatory mixing of water medium and paints, to the creation of classic patterns. Specific attention will be given to learning how to obtain particular designs using a diverse array of rakes and combs. Students will have ample time for experimentation with guidance from the instructor.

Building on the skills learned in Introduction to Western Paper Marbling, this workshop will take students through the techniques needed to marble on fabric.

Students will begin the day by advancing upon their marbling skills with the introduction of marbling on fabric. With the instructor's guidance, they will work on new patterns with an eye for nuance. The main focus will be on marbling fabric to create book cloth, and techniques for other textile uses will also be discussed.

At the end of the day, the instructor will demonstrate how to prepare dry pieces of marbled cloth for use in bookbinding. Students will leave with their own stack of 15 marbled fabric pieces.

In this introductory class, students will gain a basic understanding of the history, techniques, tools and styles of European marbling.

Students will get hands-on experience of all aspects of Western marbling techniques from paper priming and preparatory mixing of water medium and paints, to the creation of classical patterns. Specific attention will be given to learning how to obtain particular designs using a diverse array of rakes and combs. Students will have ample time for experimentation with guidance from the instructor and will leave with a sampling of papers they've marbled themselves.  

Learn the art of marbling on fabric in this hands-on workshop! Explore basic marbling techniques, color theory, and the best fabrics to use, including how to prepare them for painting. Instructor Pietro will demonstrate how to create stunning patterns on water, and each student will have their own tray to craft a personal collection of 12–15 unique fabric pieces. Perfect for creative crafters or those looking to make something special for a quilting enthusiast.

If you've been looking for a book with a nearly indestructible cover, or just a unique binding, this is your answer! 

Featuring an indestructible cover inspired by Italy’s 1970’s solution to broken Yellow Pages bindings in public phone booths, this 360-degree flexible binding offers many advantages because it bends and does not break! This binding style offers visual and tactile delight, employing strips of articulated hard board covered with marbled fabric made by the instructor.

In this workshop, the instructor will guide students through the art of this rare binding technique. Students will create an articulated blank journal that can beautifully withstand the ravages of time.

In this introductory class, students will gain a basic understanding of the history, techniques, tools and styles of European marbling.

Students will get hands-on experience of all aspects of Western marbling techniques from paper priming and preparatory mixing of water medium and paints, to the creation of classical patterns. Specific attention will be given to learning how to obtain particular designs using a diverse array of rakes and combs. Students will have ample time for experimentation with guidance from the instructor and will leave with a sampling of papers they've marbled themselves.  

An indestructible cover, inspired by Italy’s 1970’s solution to the Yellow Pages in public phone booths, this 360-degree flexible binding offers many advantages because it bends and does not break! It offers visual and tactile delight, employing strips of articulated boards and marbled fabric. In this workshop, instructor Pietro Accardi will instruct students in the art of this rare binding technique. Students will create a large and small articulated blank journal that can beautifully withstand the ravages of time. All materials provided.

In this introductory class, students will gain a basic understanding of the history, techniques, tools and styles of European marbling.

Students will get hands-on experience of all aspects of Western marbling techniques from paper priming and preparatory mixing of water medium and paints, to the creation of classical patterns. Specific attention will be given to learning how to obtain particular designs using a diverse array of rakes and combs. Students will have ample time for experimentation with guidance from the instructor and will leave with a sampling of papers they've marbled themselves.  

In this introductory class, students will gain a basic understanding of the history, techniques, tools and styles of European marbling.

Students will get hands-on experience of all aspects of Western marbling techniques from paper priming and preparatory mixing of water medium and paints, to the creation of classical patterns. Specific attention will be given to learning how to obtain particular designs using a diverse array of rakes and combs. Students will have ample time for experimentation with guidance from the instructor and will leave with a sampling of papers they've marbled themselves.  

This introduction to the magic of paper marbling will give you an understanding of the history, styles, tools, and techniques of classical European marbling.

We'll cover all the foundational elements of marbling practice including acquisition and proper use of supplies, including carrageenan, primer, paints, trays, rakes, combs, etc.

Your instructor will demonstrate how marbling is done with instruction on handling paints in the water medium and dealing with known and unknown variables. He'll show you how to create classical and basic marbling patterns (as well as spontaneous designs) using a diverse array of rakes and combs. 

You'll have ample time for your own practice and experimentation. You'll have your own tray, set of paints, rakes, combs, and  paper. You'll likely leave with 10-15 sheets of your own original marbled pieces. 

Students will learn how to choose the right fabric and how to prepare it for the marbling process. We’ll start learning the most common marbling patterns and print them on paper in order to gain an understanding of the process. I will also teach basic instructions on how to make simple color combinations using the color wheel. When confident, Students will start marbling on fabric. At the end of the class you will have produced 12/15 different unique marbled pieces of cotton and Pima cotton (15”x24”in size). When dry, the marbled fabric will be heat set with hot iron in order to make the paint permanent.

For quilters, seamstresses, designers, book artists or anyone who will be interested in learning this delicate and fascinating process of marbling textiles.

Introduction to the art of marbling will provide students with an understanding of the history, styles, tools and techniques of classical European Marbling.

• Morning discussion will cover all the foundational elements of Marbling practice: acquisition and proper use of the supplies, (many and varied) including carrageenan, primer, paints, trays, rakes, combs, etc.

• During the discussion each student will also be engaged in the preparatory mixing of the water medium in their own tray.

• Pietro will then demonstrate to the class how Marbling is executed. With helpful instruction on handling paints on the water medium, dealing with known and unknown variables; he will show how to create classical and basic Marbling patterns (as well as spontaneous designs) using a diverse array of rakes and combs.

• Students will have ample time for their own practice and experimentation with personal guidance from Pietro. Each student will have their own tray, set of paints, rakes, combs and paper.

Building on the skills learned in Introduction to Western Paper Marbling, this workshop will take students through the techniques needed to marble on fabric.

Students will begin the day by advancing upon their marbling skills with the introduction of marbling on fabric. With the instructor's guidance, they will work on new patterns with an eye for nuance. The main focus will be on marbling fabric to create book cloth, and techniques for other textile uses will also be discussed.

At the end of the day, the instructor will demonstrate how to prepare dry pieces of marbled cloth for use in bookbinding. Students will leave with their own stack of 15 marbled fabric pieces.

In the world of paper marbling, metallics are rare due to the heavier weight of these types of pigments. Since marbling pigments must float perfectly on the surface of the water bath, metallics prove challenging; but when handled correctly, the shining hues of copper, silver, bronze, gold and pearl will transform a sheet of paper into an iridescent wonder.

The use of rakes and combs is also tricky, requiring carefully manipulated movements of these heavy paints in order to achieve the desired effects without sinking or breakage.

In this workshop, students will learn to handle metallic paints and be introduced to new and more intricate patterns. They will also explore the exciting territory of “Over-marbling”, where one pattern is superimposed upon another to create a magnificent and complex play of pattern. Students will receive instruction during the morning half of class, then spend the afternoon dedicated to personal practice with hands-on guidance from the instructor.

*Please note that paper marbling is a wet process and papers made in the workshop may not be dry at the end of class. Students may return to SFCB after the workshop to retrieve any papers left to dry at the of the day.  

In this introductory class, students will gain a basic understanding of the history, techniques, tools and styles of European marbling.

Students will get hands-on experience of all aspects of Western marbling techniques from paper priming and preparatory mixing of water medium and paints, to the creation of classical patterns. Specific attention will be given to learning how to obtain particular designs using a diverse array of rakes and combs. Students will have ample time for experimentation with guidance from the instructor and will leave with a sampling of papers they've marbled themselves.  

Learn to make a useful box that's ideal for storing sewing supplies, jewelry, or small tools. The box has a hinged lid and can be opened fully. The interior holds a removable top tray; the bottom compartment is open and can store larger items.

The instructor has developed his own way of making boxes, combining the industrial and artisanal methods of boxmaking. Students will learn basic boxmaking concepts, as well as an understanding of paper and board grain and its importance.

Pietro is known for his marbling, and will provide marbled fabric to use in covering the boxes. Students will learn how to make their own book cloth out of regular fabric.

All skill levels are welcome: the most difficult part of the class will be the choosing of the marbled fabric from the multicolor array of patterns that Pietro will provide.

Witness this magical process that transfers the paint from the surface of the water to a silk scarf. In this one-day workshop, Pietro will show students how to print on silk scarves using an array of different patterns and colors that you can choose from.  After some guided practice with some of your favorite colors, students will have the opportunity to paint 2 beautiful scarves.